KNOW THYSELF!

Of all the weapons of destruction that man could invent, the most terrible and the most powerful was the word. Daggers and spears left traces of blood; arrows could be seen at a distance. Poisons were detected in the end and avoided. But the word managed to destroy without leaving clues.” Paulo Coelho

“Femme Esclave” – “Slave Woman”
Acrylic on Jute by Jean Ledan fils

Without question, the above metaphor is relevant to personal, societal, or cultural dynamics in human relations that are problematic in our society. But when I stumbled on it, my homeland Haiti came to mind and inspired a recapitulation of its history, which serves as a great tool for self-discovery and spiritual growth.

Haiti, the first black republic, was the victim of many falsehoods and propaganda throughout its history as it wrestled with the dark shadows of its past in contrast to its eventful times of glory in the fight to keep its sovereignty!

I grew closer to my own culture and prouder of my heritage from traveling far away from home.  The profound lesson life gifted me with each experience, each encounter and discovery as I traveled to certain countries in the world was the deep understanding that each and every culture plays an important role and has a genuine purpose in the world’s web of folk cultures. Evidently, that simple divine truth is not always understood nor respected in the labyrinth of human beings relations and interconnectedness.

Haiti’s glorious history and myths are a testimony of its essence. A powerful piece of the puzzle deserving its rightful destiny in the world’s web of folk cultures. To dispel the myths about Haiti, a historical outline of its origin and path to freedom is in order.  Not much imagination is needed to see through false narratives, selective interpretations, manipulated and misleadingly written by our own oppressors and divulged in history books.

Yet the supremacy of the Haitian heroes cannot be dismissed. Their prowess is largely documented in books, movies, documentaries etc. and glorified by historians, professors, Haitians and foreigners alike.  An imposing vestige of the Haitian ancestral grandeur stands as the eighth wonder of the world (designated UNESCO World Heritage sites): The fortress, formerly known as “La Citadelle Laferrière,” is named today “Citadelle Henry,” in honor of its originator and builder, Henry Christophe. He was one of the prominent leaders of the Haitian Revolution who established a kingdom in the Northern part of Haiti in 1811 and proclaimed himself  Henry I, King of Haïti.

“Le Pot de la Vie Haitienne” – Jute Tapestry
by Jean Ledan fils

The very few events that I cite here bring undeniable light into the most talked about reasons for Haiti’s decadence today:

**To be the first country in the “New World” to abolish slavery by defeating one of Europe’s military giants, the French army, at the Battle of Vertière in November 1803, regarded Haiti as the most feared fighting forces of that time.

**The Haitian Revolution is the product of the only successful slave revolution in history in the making of the modern world and thus changed the course of history.

**Haiti is the first modern state in the Western Hemisphere ruled by African descent and the second nation to achieve independence after the United States. Ironically, prior to Haiti’s independence, Haitians fought in the battle of Savannah in 1779 for the American side in the revolutionary war. ” (See “Les Chasseurs Volontaires d’Amerique” where a monument stands in honor of the Haitian soldiers in the city of Savannah). “The statue and the story evidenced an enduring relationship between the United States and Haiti. The nations were the first and second republics in the “New World”, brothers in freedom and independence.” (Written by: Pooja Bhatia/Ozy.com, Editor)

**And then, later… Haiti earned three decades of American occupation.

**The Haitian Declaration of Independence pronounced on January 1, 1804, was undeniably a defining moment in the history of the Atlantic World.

** Haiti has gone further to stop men’s greed… they also fought for the liberation of many Latin countries during the Latin American wars of independence. Many aren’t aware that without Haiti’s help, many other countries would not have obtained their independence. That first Black Republic became a tremendous symbol of hope for slaves throughout these countries, making the nation a great threat to other slaveholders.

Acrylic painting on hardboard (untitled)
by Jean Ledan fils

Haiti’s decadence is repeatedly voiced, from every direction and every source, to be the result of a pact with the devil, as if the enslavement and atrocities done to another race that acted in self-defense could be justified in the name of God. The poorest country in the western hemisphere once called the “Pearl of the Antilles” because it was the richest colony in the entire world was oppressed, marginalized, ostracized, and persecuted for centuries by external forces. That compromised the nation’s long-term economic development. The causes of Haiti’s decadence are as various and as complex as the history of the Nation that is today crippled with poverty and corruption as a result of the machinations of imperialism.

In a world where there is no defense against lies and manipulations, facts and opinions get easily confused and the consideration that there are two sides to every story is overlooked. It can never be enough to bring to awareness the tendency of people to casually dismiss the influence of external factors and overestimate the influence of internal factors in their perception of others.

Perceptions are powerful indeed! Haiti’s own children are born to eternal repentance for their sins indoctrinated by their colonizers imposed religion. Repercussions of a cognitive dissonance seem evident from expert analysis due to the continuing devastating impacts of colonization which affected Haitians physically, mentally, emotionally and spiritually.

While it’s important to find justifications for the impoverished state of the nation, it is the responsibility of the people to heal themselves by addressing the enemies inside to get rid of all conditioning that is the root cause of their culture’s agony.  The revelation in this recapitulation confirms that when you don’t know who you are it’s easy to sign over your individuality, your uniqueness and your freedom away.  

“Louvri Barye” Acrylic on Siam
by Jean Ledan fils

The strong point that Haitians inherited from the ancestors is the resilience they are famed for. Haiti birthed great minds and hard-working people. Renowned Haitian experts, scientists, authors, historians, professors, artists, and cultivated Vodou spiritual leaders alike are relentlessly fighting for a decolonization process through education. A starting point is for the majority to support this reform movement, for it is key to bring forth a political, economic and an educational system articulated and developed by Haitians in consonance with the spirit of their ancestors. To know thyself is an injunction to own yourself; and when you own yourself, nothing and no one can deviate you from your path.

“No one is free who has not obtained the empire of himself. No man is free who cannot command himself.” Pythagoras

 

Credit/Anecdotal acknowledgement

The world of Jean Ledan fils where history and art merge into a language of the soul!

“Fanm Dambala” Jute Tapestry by Jean Ledan fils

Jean Ledan fils, historian, artist, author, editor, entrepreneur, famed for his weekly column for the past 26 years in the most respected and oldest Haitian Newspaper Le Nouvelliste, titled “About Haiti’s history… Did you know that?” (“A propos de l’histoire d’Haïti, saviez-vous que…”), keeping the community informed and reminded of notable past events, and inspiring anecdotes about Haiti’s history.  He juggles from being an active historian, business owner of a popular analog toy making company and Publishing house, to a passion for art expressed in both painting and weaving (tapestry).

As a historian, Jean Ledan fils maintains strong ethics with high objectivity in referring to facts and avoiding bias opinions of any form, and that is always conveyed in his purpose statements and personal mottos. But the language of the arts seems to authorize him to convey all that is suppressed in documenting facts as a historian. Jean Ledan’s artwork combines abstract with surrealist fantasy in both mediums: paintings and decorative tapestries, as well as creative photography, revealing his patriotism, his authentic love for his homeland and profound spiritual beliefs in strong, vibrant colors that his culture inspires. His ingenuity brings together different disciplines to complement one another to perfection… his history book covers display of his artwork, create exposure through a mobile and permanent exhibition cachet and at the same time getting them securely archived.

I am happy to share an extract (translated version in english) of an article written by Jean Ledan, published in Le Nouvelliste in 2016. It reveals more than I could say about the role of the historian, the man behind the artist, the citizen behind his perspective and vision about his country Haiti:

“PEOPLE WITHOUT MEMORY ARE PEOPLE WITHOUT A FUTURE! ” Says the old adage… Memory and History –not in a retrogressive sense but in a farsighted and progressive approach necessary for a more in-depth knowledge of our community to better understand the present, and therefore better plan for the future.It is essential to highlight our resources and our creativity, our cultural diversity, themselves established on the basis of our history, our practices and our originality. Arts and culture including history are the fundamental factors that still keep the nation alive. The strength and vitality of the art of Haitian culture, aren’t they the elements that still maintain a certain social cohesion among us and ensure us a respected presence at the international level? It is urgent for us Haitians to recognize the sources of our cultural heritage to make it fruitful! Its natural role as a catalyst for national life to revisit the carrier values that form the basis of our own identity and personality as a people.”

Jean Ledan fils attended Dowling College (1981-1982) where he studied Social Sciences, and Liberal Arts at New York University (NYU 1983-1987) where he graduated with a major in Political Sciences and a minor in History.

His interest in textile art started in New York, but painting became a passion when he returned to Haiti in 1988 and mingled with friends that were also painters. He was inspired to take home their unfinished work to undertake this new art form.  Painting was a long artistic process that culminated in mastering other mediums that include tapestry, drawing, and writing.

Among Jean Ledan’s most acclaimed editions of history books are: The whole work series of his weekly articles “A propos de l’histoire d’Haïti, saviez-vous que…” presented as a collection of ten separate volumes; Haïti 2004 – Bicentenaire de l’Indépendance – Chronique d’un départ annoncé – le fil des événements; L’Histoire d’Haïti en toute simplicité ; l’Histoire d’Haïti – La “petite histoire” ; Hommage au Patrimoine ; l’Histoire d’Haïti au singulier ; l’Histoire d’Haïti – Simples faits ; l’Histoire d’Haïti – Anecdotes.  In progress is an unpublished work on Alexandre Petion and Simon Bolivar.

Jean Ledan is the Owner of Beljwèt S.A., a well known analog toy and Publishing House in Port-au-Prince since 1995.

He is active in all his disciplines, and is supportive of Haiti’s cultural activities.  He worked in various projects of the Ministry of Culture, particularly to renew Haiti’s incorporation to the Berne Convention’s copyright protection of Artistic and Literary works.

Thank you Jean Ledan fils for your precious legacy and significant contribution to Haiti’s past, current, and future generations.

The Haitian Declaration of Independence

The more you know of your history… The more liberated you are! 

“L’Ombre du Passé” – “The Shadow Of The Past”
by Richard Barbot

The Haitian Declaration of Independence was proclaimed on January 1, 1804 in the port city of Gonaives by Jean Jacques Dessalines marking the end of the 13-year long Haitian Revolution. The declaration marked Haiti’s becoming the first independent Black nation in the Western Hemisphere.

Extract: 

“It is not enough to have expelled the barbarians who have bloodied our land for two centuries; … We must, with one last act of national authority, forever assure the empire of liberty in the country of our birth; we must take any hope of re-enslaving us away from the inhuman government …. In the end, we must live independent or die.”

“Remember that I sacrificed everything to rally to your defense; family, children, fortune, and now I am rich only with your liberty; my name has become a horror to all those who want slavery. Despots and tyrants curse the day that I was born. If ever you refused or grumbled while receiving those laws that the spirit guarding your fate dictates to me for your own good, you would deserve the fate of an ungrateful people.”

The full document’s translation can be viewed @ https://today.duke.edu/showcase/haitideclaration/declarationstext.html

From Julia Gaffield, author of Haitian Connections in the Atlantic World: Recognition after Revolution, Assistant Professor of History at Georgia State University:

“While the Age of Revolution has long been associated with the French and American Revolutions, increasing attention is being paid to the Haitian Revolution as the third great event in the making of the modern world. A product of the only successful slave revolution in history, Haiti’s Declaration of Independence in 1804 stands at a major turning point in the trajectory of social, economic, and political relations in the modern world. This declaration created the second independent country in the Americas and certified a new genre of political writing. Despite Haiti’s global significance, however, scholars are only now beginning to understand the context, content, and implications of the Haitian Declaration of Independence.”  https://www.upress.virginia.edu/title/4876

To conclude, I leave you with two powerful citations:

  • The more you know of your history…
    The more liberated you are!
      Maya Angelou (cited above)
  • Our children are the rock on which our future will be built, our greatest asset as a nation.They will be the leaders of our country, the creators of our national wealth who care for and protect our people. (Nelson Mandela 1995)

Credits/Anecdotal acknowledgment

Richard Barbot, a remarkable Haitian artist and musician!

His signature is a stroke of genius in itself.  And when you explore his work, his signature confirms that he masters both art forms, music and painting to perfection!  His stunning portraits immortalize many celebrities, influential and powerful people of our time like the King of Maroc Mahommed VI, Harry Belafonte, Lauren Hill, Rubee Dee, Malcom X, Ossie Davis, United States President Obama; and our treasured work of art:  The portrait of Sanite Belaire on the 10 gourdes, Haitian currency.

His statement to Ticket Magazine in a recent interview describes a true passionate and profound artist:  “I do not confine myself to trends.  I have freed myself from the yoke of wanting to please or shock…  I only take into account what goes through me.   Everything that comes from inside is authentic”.   He lets his inspiration be his only guide.

Richard Barbot immigrated to Canada at a very early age.   He studied at the Université du Quebec where he graduated with a bachelor of fine arts degree.

His debut was crowned first prize winner in the competition of the Cercle des Artistes Peintres du Quebec in Montreal in 1985, and many exhibitions in Montreal, New York and Haiti followed.

He received a Plaque of Honor and Merit for his enormous contribution to the Haitian culture.

His commitment to the young generation was strongly acknowledged as an art teacher at the Ecole Nationale des Arts and Faculté des Sciences in Port-au-Prince, Haiti.

He was commissioned by the Central Bank of Haiti to make the portraits of all the Governors and later, he was commissioned to create the effigy of Sanite Belair which appears on the Haitian currency.

Thank you Richard Barbot for “L’ombre du Passé”, a profound inspiration and a monumental work of art! https://www.richardbarbot.com/